Showing posts with label Steven Spielberg. Show all posts
Showing posts with label Steven Spielberg. Show all posts

Friday, January 9, 2009

DJG / Slumdog Millionaire

Slumdog Millionaire * * * * 1/2
Directed by: Danny Boyle / 2008

Filmmaker Danny Boyle might be best known for his heroin addicting "Trainspotting" and global zombie fest "28 Days Later”, but it’s his string of recent films that I think are grooming him up for Steven Spielberg-like stardom. It wasn’t until recently that the ever evolving Boyle’s work struck me so with this idea as I re-watched “Millions” and “Sunshine” and just got back from his latest crowd pleaser, “Slumdog Millionaire”. 2005’s “Millions” captures the childlike magic of “E.T.”, but trades in an extra-terrestrial for a bag of money. 2007's “Sunshine” is a special effects space suspense that rivals most of Spielberg’s futuristic adventures.

It honestly doesn’t seem like it should work, but it does, and intoxicatingly so if you just let it in. I'm not sure where it would fit on a Spielberg meter, but it simply fits in the equation for movie magic. “Slumdog Millionaire” is about a young man who grew up an orphan in the slums of India. He’s a contestant on India’s “Who Wants to be a Millionaire” and is under suspect from the show’s host and producers as to how he’s able to answer every question. With each question, flashbacks to an on-the-edge childhood in the harsh slums reveal his solutions, along with a life-longing love for the girl of his dreams. The results are certainly movie magic, but they’ll have most anyone with a heart glued to their seat in suspense and hope. Some people in the showing I was at were outloud a-buzz, verbally coaxing and helping the characters to fulfill their wood-be destinies by the end. One woman I noticed hit a boiling over point and left the theater to calm down. The film isn't perfect and it will have some eye rolling naysayers when it comes to romanticized love and will power, but this film is a bitter-sweet symphony. It’s joyous. It wears heart with pride. It is what it is and I was extremely taken by it. If hope and soul is too much to ask for, then you shouldn't be watching. It's sad when people start giving up, even at the movies.

Danny Boyle’s “Slumdog Millionaire” combines an entire career of well-rounded, hip, skillful and illustrious moviemaking, creating one of my new favorites. Simply put, this guy makes great movies that are worth multiple viewings. I don’t think he has a bad film in him, but his best involve children and money. With a cast and setting primarily in India, one would think this film would get shuffled under this time of year with movie-goers, but it speaks volumes and is a must-see for anyone who loves the art of storytelling magic at the movies. Even if you find a loss in relation to it, there is something unique in the experience of walking in someone else's shoes and turf. Hopefully some will learn a thing or two about what other people in the world suffer through daily, maybe even in your own back yard. There is something special seeded within this movie and you’ll take it home to plant with you, again if you just let it in. The only problem I see right now is that it’s just not in enough theaters and Boyle isn’t quite yet a Spielbergian household name. But, he’s well on his way. And if “Slumdog Millionaire” is in a theater near you, you better be well on your way.

-djg

Tuesday, August 19, 2008

DJG / Movie Morning Monday


E.T.: The Extra Terrestrial * * * * *
Directed by: Steven Spielberg / 1984

In two letters I could sum up the definition of “Movie Magic” with ease. “E.T.” does something new and magical for me every time I watch it and I find it to be more engaging, heart-tugging and genius the older my eyes get. And I again find that I’m still wet behind the eyes as it creeps higher up my all-time top 25 film ladder. I won't expand too much on Steven Spielberg's masterpiece as assuredly almost all of you reading this have probably seen “E.T.”, and many times at that. If you have not, then what are you waiting for? And I feel bad for those of you who aren’t even fans of sci-fi because this film about a boy’s special bond to an alien is more than just the stuff of science fiction and you’re really missing out on the magic of movies. We should all approach things in more childlike awe and wonder like E.T. and like the children who extend a like-minded helping hand of friendship and understanding of E.T.’s wish to just BE and hope to go home. Similar to “Peanuts”, the first two acts of “E.T.” rarely show an adult above the waste or even out of the shadows (besides the main mother). I love how this gives the illustration of man as the monster and hammers it home further in the final act when the government men come to plastic the house and take E.T. away for dissection and inspection. It's a dominating scene that has always chilled me to the core at the movies and in life. This past week I was enthused and bewildered to read about the possible remains of a Sasquatch discovered in a wooded area of Georgia My fascination quickly turned to disappointment as I read further that the next goal is to catch a live one. Debatable yes, but this personally bothers me as I feel that instead of letting something BE, why must we put things under a microscope, poking and probing and profiting?

-djg

Tuesday, July 15, 2008

DJG / Indiana Jones and The Kingdom of the Crystal Skull

Indiana Jones and the Kingdom of the Crystal Skull
* * * *

By Danny J. Gibson

"Knowledge Is Power" - Dr. Indiana Jones

The main weapon preached and fought for in the fourth installment of the Indiana Jones franchise is knowledge. Which, is also a big switch I had to tell myself to turn OFF in pre and post excitement and thought on "Indiana Jones and the Kingdom of the Crystal Skull".

I've purposely stayed away from the hype machine on this movie. I wanted to go in fresh and pure and without expectations. Though, in the back of my gut I was a little worried, but tried to keep my childlike cooing cool. In recent months I've stopped feeling the need to schedule my day and thoughts around visits to media fan boy internet sites. I've stopped caring, so to speak, on trying to stay in the "know". I guess I'm more informed than some, but I just want to approach things like a kid again and I'm just tired of the over saturation of media, information and technology these days. I did watch the initial trailer or teaser. It drew-up giant goose bumps of nostalgia when the gorgeous simplicity of the Spielberg movie magic re-introduced Dr. Jones to me by way of the hat, and then the shadow on a car door of the hat going on the head of my instantly recognizable hero. WOW. Total brilliance, in my book. I'm a sucker for the classically, yet fresh, camera shots and lighting...and I was ready to take the wrapper from off my blue lolly pop to discover the indian chief pointing his bow and arrow at a five star Indiana.

However, three-quarters into the movie last night...and coincidentally right as the CGI started to look a little TOO computer generated...and just as a giant, cheesy pack of greased-back hair monkeys helped save the day...and just as I realized the ending was going to get extremely whacky...I found my giant grinned teeth crunching my lolly pop's core and crumpling a couple stars from off that wrapper. My naive, child-like black and white palette had now been splattered by the colors of my adulthood idiocy, the critic in me and one-too-many-hours logged behind the movie reel-wheel. And I hate that. I just now, fourteen hours later, turned my "stupid" switch back to OFF.

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"Indiana Jones and the Kingdom of the Crystal Skull" is just plain ON. It's AWESOME and some of the most fun I've had at the movies in a long time!

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It's easy to drink from the information fire hose in today's culture-driven, mass-media buffet. It's easy for information on the pop-culture beat to be leaked in our heads in a distracting cloud of he-said/she-said so it must be true belief. It can sometimes be hard to be a human with original thoughts or ideas or emotions. And just like the effects from looking into the Crystal Skull that Dr. Jones and the Russians are searching for, thoughts and knowledge can be easily manipulated and go completely catty-wompus. The super highway of 2008 has one too many billboards to distract and dive into. Much different than the one that the horses hooves clopped on in 1989. Way back when we were treated with a third ice cream scoop, the flavor we thought was Indiana Jones' last crusade.

For almost 20 years now, we've heard the rumors of this and that with the whip and the hat coming back. And we've kept on watching the movie and media machines growing and have had high hopes and hearts for it. But, at the same time just didn't think it would happen and if it did happen, it just wouldn't be the same. We've watched Harrison Ford (aka, in this kid's skull: Han Solo and Indiana Jones) grow older and wondered how he could pull off the glory and gut punches of yesteryear. We've waited so patiently for this long, "Harry Potter"-sounding, almost tongue-twister of a movie title, "Indiana Jones and the Kingdom of the Crystal Skull"

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True, the tag-team filmmaking punch of Steven Spielberg and George Lucas is a little rusty, but you can tell they have a ton of fun and enjoy having the keys to real jobs as big kids playing in the cinema sandbox. They hold the keys that started up the summer blockbuster movie engines that we all get excited about. Even if their britches sag a bit these days, I must hand it to them, they know how to make an entertaining thrill ride (well, let's just toss out Lucas's "Star Wars" butcher block updates) and make me feel like a kid again. And, we can't forget that the whole original premise of Indiana Jones was fueled by the fluff adventures of the movie serials of the '30s and '40s, and of dime store paper backs and pulp comics.

Yeah, "Raiders of the Lost Ark" is considered filmmaking treasure, but the whole franchise I've always approached with the same imagination and thrill-seeking that I've found on the pages of my favorite comic books. In a sense, I see the films as what I imagine the good ol' days of filmmaking and going to the movies to be like. When you could tell that what you were watching was just a set or a painted veil or a moving screen. I imagine it a time when the characters and plots were bigger than life and much better than the characters and plots happening outside in the heated climate of the real world. I think of films of the golden days as taking a lot of interaction with the audience's imagination to fully bring it to life. And I see my childhood in a similar light...even now.

Like most things, technology has spoiled the movies. When used well or subtle, like in "Sin City" or "Iron Man", it can really help bring things to life or a somewhat believable vision. Though, lately a lot of CGI feels very roughly rushed, forced and even stale. And sometimes I wish that filmmakers like Spielberg and Lucas would just step the reliability on lavish special effects back a bit and let the audience's imagination pull the strings on what's behind the curtain. Then, the pay-off would be sweeter and possibly more mysterious. Some of my favorite films are the ones done with such classic camera effects or tricks that they add an allurement of mystery. They are so simple and have a purity to their art and aim, that they just make me wonder and inspired with giddy excitement...just like that shot of the shadow of Indy putting on the hat. Spielberg, I give you an A+ on scenes like that one. But, I guess I'll just have to take that "Crystal Skull" ending for what it's worth. It was big and wild and whacky...and I'm just glad the hat and whip are back in action!

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As an adult and an avid eater of film, it's way too easy for the world to kick in and kick over my childlike mind. I try to pine for it as much as I can. I miss the days of feeling like a summer or season or a year was forever. I miss thinking that 29 would take a century to get to. I do still try my best at besting adulthood, but only in helpings of moderation and on a certain level and balance with responsibility. Heck, I still make silly so-called "art" stuff while hiding out in my clubhouse whenever I can. And I'd do it all day and night if I could (maybe someday)...well, when I'm not watching movies and doing LIFE stuff, that is. I miss the days of being a kid, when it was OK for my job to be Han Solo and Indiana Jones and John Rambo in one combined character and play in the creek or timber all summer long. I miss the days when every movie WAS my favorite movie and I would instantly start re-enacting it in any way, shape or form. Oh, and I miss the days when I didn't feel the need to feel like I had to share my thoughts and opinions with the world via myspace or email. And I'm surprised you've made it this far in my saga!

It's a sad thing to me when innocence becomes something lost or locked, when childhood is departed. I watched classmates and peers toss out their boxes of toys and Trix, only to tease and trick girls or cars instead of their imagination and inner freedom. Even the summer before my first semester of college I had not quite weened my play time. Actually, as I sit here, writing with my action figures at my side, and in my basement clubhouse...I extend my pledge to never fully grow-up or shed my childhood. I believe one can be a man and still hold to the formative yesteryears. Those are the most crucial and important times as they help shape and add definition to who and what we are today and it is sad to me that a lot of people have simply shed that aspect or deny it existed. And a major part of my foundation is made up of movie heroes and icons like Indiana Jones. One can be a man and still search for that buried treasure of childhood.

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Sometimes you take the time out of a busy, exhausting day for a movie...pay for the ticket that seems to get taxed more and more, even while waiting in line for it...fill up on outrageously priced gas and food...only to sit for an hour and forty minutes (and some), anxiously waiting for the end credits to finally roll. It's not that we don't like going to the movies or have lost interest. I think it's easy to either get complacent with "stuff" or get the sticky duct butter of LIFE stuck in our eyes and be thinking about what's going …after the movie, or tomorrow or next week…instead of the big picture just right on ahead. We sometimes just can't enjoy what's in front of us, in the "moment". We just can't shut stuff OFF these days. And just maybe it's because we think we have "the movies" figured out, or because we can now have everything on demand and how we want it, even though we seem to fill our time with more and more than we ever did. Heck, we can even butter our own popcorn in some movie houses! Maybe we've become too self-centered, self-engineered and too man-made and too multi-tasking…just like the modern movies. We just can't sit and enjoy things without constant commentary, or buttering our own bread that is spewing out of our motor mouths and brains. Now we can make our own movies and music and whatever it may be and get them to anybody in the world in two seconds. Now we think we are all critics and writers and kings and philosophers and scientists and doctors and designers and blah blah blah.

Even though I love going to the movies, I too can get anxious and squirmy inside. And not just because I've been sitting still and quiet for a long period of time or because the groans and expressions of satisfaction spiraling out of the Men's room sound more authentic than the ones coming from the screening room. I believe that in today's 'Merica, we've got way too much pushed down our canals on one end, and on the other, no one of physical stature to put solid stock in to steer the boat from the choppy times and issues of the day. I'm probably not making much sense to you, but there is assurance (not insurance) found in pop-culture and trips to the movies. Pure escapism and entertainment is one thing, but heroes and leaders can also be found in imagination, fiction and play thru the lenses of movie magic. Just like the good ol' days of the pictures or comics, Indiana Jones is just what this country needs right now.

See this movie. It's not perfect and I'm positive we can all pick at it to death and could carry it to the cinema cellar like a giant pack of hungry South American ants. But, I'm positive that if you just turn any thoughts or even any pre-conceived film knowledge switches to "OFF" and let the magic of film light you up, then you will not be disappointed. You will want to sit in that seat, wishing for the Indiana Jones kingdom to never end.

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check list:

Were Spielberg and Lucas, aka: "The Geek Gods" at play - CHECK

Was every man-child's hero back by way of Harrison Ford - CHECK

Was there stuff blowing up - CHECK

Were the punches extremely chunky sounding and awesome - CHECK

Were some of the stunts simply spectacular - CHECK

Were the bad guys defeated - CHECK

Were there tons of creepy crawlies - CHECK

Was Indy still afraid of snakes - CHECK

Were there great tie-ins to previous Indiana Jones movies - CHECK

Was there a past Indiana Jones love interest involved - CHECK

Was the always fantastic Cate Blanchett on top of her game - CHECK

Was Shia LaBeouf not getting on my nerves - CHECK

Was Shia LaBeouf still groomed to be the next Tom-Tom drum at the movies for film-goers to Cruise behind and give (t)Hanks to, but with a much more difficult name to pronounce so we aren't thinking, "Oh, it's Tom Cruise or Tom Hanks just playing that character, rather it's that one guy whose name i can't figure out."
- CHECK

Was the janitor from "Scrubs" making a cameo - CHECK

Were there bad jokes and with great timing - CHECK

Was composer John Williams swinging his maestro stick like an axe - CHECK

Were goose bumps distributed - CHECK

Was I grinning for most of the movie - CHECK

Was it some great, old-time, action-adventure fun at the movies - CHECK

Was I a little sad when it was over, and in a good childlike way - CHECK

Will I go see it again - CHECK

Will I buy the DVD - CHECK

-djg